What To Put In Animation Portfolio For Blizzard Internship

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Objective

To create aesthetically-rich virtual worlds in an surround that values personal growth and mentorship.

Skills

lowpoly asset cosmos in Blender, Maya, and 3DS Max
stylized texture painting in Photoshop and 3D Coat
texture map cosmos in Substance Painter and Designer
highpoly sculpting in ZBrush
map baking in xNormal
material authoring, set dressing, and lighting in Unity, Unreal, and Marmoset Toolbag
concepting props and environments

Experience

3D Creative person - Blizzard Entertainment

Wintertime 2017 - Present

Concepted, modeled, and textured plant, tree, and stone kits to fit the theme of each zone and to be maximally usable past level design.
Painted sets of tiling terrain textures that complement each other and work inside a zone'southward color scheme.
Modeled, propped, and lit organic interiors (caves) using Blender, 3DS Max, and proprietary editing tools.
Lit exterior regions, defining how the sky and sunlight looks over the course of the day-night cycle, during storms, and underwater.
Created handpainted, fully-blithe skyboxes.

3D Artist - Demodern

Fall 2016 - Winter 2017

Created a modular housing kit with over twoscore house types in a historic recreation of the High german city of Ulm.
Synthetic the city in Unity including terrain painting, particle effects, mail effects, and lightmaps baked externally in Blender.
Directed external artists in creating primal buildings to a loftier degree of historical accuracy.
Worked with the lead programmer to ensure a constant minimum framerate of 90 FPS in a scene with over 8,000 props.

3D Artist - Goodgame Studios - 4th Floor

Spring 2014 - Summertime 2016

With the surround art lead, created a style guide for a new IP that fit the art manager's vision and the game's practical requirements.
Documented the non-destructive, standardized workflow used by the art team to create stylized textures.
Modeled, textured, and placed fundamental regions of game levels in the Unreal Engine.

Environment Creative person - Tale of Tales

Autumn 2012 - Spring 2013

Worked remotely with Tale of Tales to create art for the prototype version of the game, An Empty World.
Created, lit, and busy draft levels in the Unity engine.
Translated the distinctive vector mode of children'south book illustrators Meomi into realtime 3D.

Environment Art Intern - Blizzard Entertainment

Summer 2012

Modeled and textured game-set up props for the Earth of Warcraft expansion, Mists of Pandaria.
Painted concepts for original game assets, with a focus on plants and copse.
Produced texture variants for existing assets to create a more visually-consequent game earth.

Art Intern - Pixo Grouping (formerly Pixofactor)

Summer 2011

Modeled, unwrapped,and textured an iOS-spec 3D surroundings in under fifty,000 tris.
Created concept paintings for the iOS and Android game, Gaslight.
Created how-do-you-do-res props for a promotional 3D brusk film.

Education

Boosted Classes

CGMA - Plants and Vegetation for Games with Jeremy Huxley, November 2020
Illustration mentorship with Garrett Hanna, December 2019
CGMA - Fundamentals of Blueprint with Tyler Edlin, July 2019
Schoolism - Fundamentals of Lighting with Sam Nielson, October 2018

Savannah College of Art and Design

May 2012

Master of Fine Fine art in Interactive Design and Game Development
4.0 GPA

Michigan State University, Honors College

December 2010

Bachelor of Arts in Telecommunication, Information Studies & Media
Bachelor of Fine Arts in Studio Art, graphic pattern concentration
Game Design and Evolution Specialization

Awards

2012 - Winner of the get-go Blizzard Entertainment Student Art Contest
2012 - Reveal, Best Student-Created Game at Meaningful Play 2012
2011 - SCAD Entelechy Award for Best Grapheme and Nugget Pattern for the model "Pestilence"

Source: https://www.pixelbutterfly.com/resume.html

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